… Or to go bravely to! Indie Comics are uncharted territory for this author. So why would I leave my comfort zone (long-form novels) and venture into the unknown? The answer is pretty simple: I wanted to see this particular story visualized in glorious colour. Preferably, with moving characters – animation or even (the holy grail for me) live action. But I also love art – used to dabble a little bit myself many years ago, but didn’t think I was that good and got out of the habit. Although I came to them late via back issues once I was earning, I do remember the ‘Captain Scarlet’ strips in TV21 – Mike Noble, Ron Embleton, Frank Bellamy… names familiar to many of you, I’m sure. I would stare at the pages for hours, enjoying the detail and colour. Since we (like most people then) only had a black & white TV, the printed adventures were the only way to see Spectrum and its personnel in colour. On our TV, Captain Scarlet was Captain… well, grey, Captain Blue was also grey… ) I had a Captain Scarlet annual, I remember, and I looked at it so much the front cover came off!
So… A couple of years ago, I penned a short story about a post-apocalyptic vision of Earth in which the ozone layer had been all but destroyed by decades of intense solar flare activity, forcing humanity underground. This scenario had really captured my imagination because, as I discovered some time later when revisiting my first draft, there is more than a kernel of scientific fact in the premise. It could happen. Let me explain…
In October 2016, the then-US President Barrack Obama issued a Special Executive Order requiring that the nation be prepared for ‘Space Weather Events‘. Whether this mass education of US citizens about the perils of Space Weather ever happened, I don’t know. But I do know that the release of this Executive Order seemed to be very providential – almost as if it was confirming my decision to write the story. The premise chilled me to the bone. What kind of world would any survivors of this mass-extinction scenario inhabit?
Well, actually it would be a horrible world. We already know that UV levels are higher than in the past; when I was a child (in the ’60’s and ’70’s), we could stay out and play in the sun (often without any kind of sunscreen, either because it wasn’t available or my parents didn’t think to get any/couldn’t afford it) for hours before getting sunburned. Nowadays, if you happen to forget to apply sunscreen, it doesn’t take very long at all before you begin to feel that ominous prickling warning you your skin is under attack. Imagine it magnified many times as the ozone layer thins; people, animals and plants would all suffer terribly. Even undersea creatures and plants would not be safe. Incidences of cancer (especially of the skin) would likely rise many times their numbers today. Without crops to feed livestock, humanity would also likely be deficient in the protein derived from meat, as well as green leafy vegetables.
So, I did a lot of research, and began to world-build (one of my favourite parts of the writing process – I can lose myself for days, weeks…).
The result was a tale of small, fragile communities struggling to grow enough crops to feed themselves; a society splintered and reliant on old technology to grow anything at all underground; a society desperate to find a way to return to the surface without dying from UV-induced cancers; a society probably deficient in vitamin D, and a society increasingly reliant on robots (specifically, FarmBots) to create new strains of food crop which could be grown on the surface. Incidentally, the precursor to my FarmBots already exist – check them out here .
After almost two years of research, world-building, finding artists who also saw the potential in this post-apocalyptic tale, developing the idea from my initial idea to create a short animated feature into a comic-book series, building a crowdfund campaign to enable us to create a live-action trailer to head up the main campaign to help fund the production of Issue One, we are on our way! On 27th August, our main campaign went live on Kickstarter, but we already have an ongoing campaign in place on Patreon, which we’ll use to help fund future issues and (who knows) maybe that animated feature I originally envisaged!
With a week to go on the first Kickstarter campaign (we used Patreon and Go Fund Me to raise funds to make the live-action trailer with Kate Davies-Speak and David Learner as Mama and Cyril) I don’t know if we’ll meet our goal this time… but it has been and continues to be an education and if we don’t make it, we won’t be the first (or the last). But we won’t stop – one way or another, ‘Minding Mama’ will see the light of day!
Our official ‘Minding Mama’ poster by Amanda Fullwood. Not ashamed to admit it brought tears to my eyes. Can I imagine it as a movie? Oh, yes…!
Thanks for reading.
Elaine Jackson, England, September 2018.